故事聚焦于 Dutton 一家多年前的西进之旅，他们穿越广袤的大平原，前往美国最后一片蛮荒之地，在充满希望的蒙大拿寻求更美好的未来。艾里奥特饰演坚毅强硬的牛仔 Shea Brennan，他有着沉痛的过往，肩负着带领一群人从德克萨斯前往蒙大拿的艰巨使命，对愚蠢之人绝不容情。麦格罗和希尔分别饰演 Dutton 家族的家长 James 和 Margaret。

《黄石 Yellowstone》主创之一Taylor Sheridan与ViacomCBS及MTV Entertainment Group签下一份新合约，而他们的新项目就是Paramount+的前传剧《黄石：1883 Y: 1883》。预定下半年首播的《黄石：1883》讲述当年Dutton家族踏上在未被开发的西部的旅程。

One day, Hwa Young (Lee Seong Yeon, 3-iron) receives a mysterious parcel labeled "So Hwa 20 Years". In it, she finds an official death notice and some personal belongings of a Japanese soldier. A photo displaying the deceased soldier and a woman catches her attention. The woman on the photo looks just like her! Terrified, Hwa Young throws out the package, but a few days later, the same package reappears.

Japanese culture - especially the popular music scene - can be a surprising, often disorienting crazy quilt of austere, ancient traditions, futuristic experimental music and crass, glitzy pop. Adding to the mix is the fervent embrace by Japanese of such foreign music styles as rock, blues, jazz and even country music, not merely as fans but as tenacious practioners.

Internal strife ensues for two decades as three family members vie for control over a large South Korean conglomerate.

恶搞Out of Africa (1985)成人版！

Criminal activities of the spiritual ninja are headed by a ruthless ninja warlord and follows the CIA's subsequent attempts to bring them to justice. Enter Captain Scott, one of the CIA's 'Action Men' who also happens to be a Tamo ninja

A group of beautiful female vampires lure men to their estate so they can feed on their blood.

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

泰勒·谢里丹《黄石》前传《1883》的幕后制作。